new label starts with monster tune by glanz & ledwa.
awesome remixes by their friends turm 3 & beatamines. couloured vinyl limited to 300 copies worldwide support & play by the advent, david jach, ron flatter, oliver schories, jonas wahrlich, marc de vole & patrick muschiol...

a re-working of defkline and red polo is whats on offer for the latest release on the ever so cheeky cheeky hot cakes. >take it back< is instantly recogniseable and is expertly re-crafted by deekline and ed solo on the a side, the super star pairing make this one a must buy. ably backed up by a phatman and robin mix, dont miss out.

the nu disco sound from gin joints!!

heimelektronik pres. the transformation of voltage controlled machines into humanized systems as a process of a new beginning - it provides the electronic lifeforms here and now. pumpin 808 beats and floating synthlines for all the dj bags and electroheadz - limited to 100 clear and 100 red records - grab the wax!!

for the 7th release on his burning hot dpk imprint, dapayk once again drops two beauties onto this equally beautiful, smokey red vinyl. make it go longer!

ultraphat chicago inspired floor monster !! decks tipp , comes in coloured vinyl

10 inch red and gold vinyl. naked lunch present two brand new track straight from the convex industries research lab. dj support from untold, martyn, boddika, dbridge, mark pritchard, stingray313, rsd, scuba, jackmaster, skream.

fantastic queen constance double a-sided special featuring two of the best tracks ever released on this cult disco label, an offshoot of nycs renowned p&p records. staying faithful to the translucent red vinyl of the 1979 original releases, this features on side a kim taylors amazing lost disco funk gem >stump your feet & dance<. produced by nyc disco legend peter brown, this track is a surefire floor filler and features all the wonderful hallmarks of a classic p&p production - funky rhythm section, phat driving bass, screaming moogy synths and that feel-good disco party atmosphere that just makes you wanna >stump your feet & dance<. on the flip is the equally awesome afro-disco stormer >licky<, another ultra-rare peter brown creation. with its rocking female vocals, hot sax solos and some wildly groovy synth action, this is a wonderful slice of afro-american fusion that rocks any discerning dancefloor. top quality release and with two top class tracks on one disc its top value for money too!

coloured vinyl: solid dark green and white mixed. after tokyo prose successful entrance onto the scene with their introducing series creativity began to flow. a series of collaborations with numerous producers began and it was inevitable some of these would bare great results. phil tangent had one of the singles of 2010 for marcus intalex soul:r label and was a perfect creative partner for the ideas charged tokyo prose. >parity< marries the pairs styles perfectly, with a euphoric vocal tempered by subtle gliding beats and bass. >rearview< is a sign of what drum and bass is missing in 2011. smooth, deep and soulful music that reminds us again how powerfully emotive the genre can be.
dj support from marcus intalex, dj marky, spectrasoul, presha and more to come..

hot techno tracks by the usual suspects: roman lindau, mike dehnert & sascha rydell. red vinyl!

ltd red vinyl

red marbled vinyl only at decks.de!solomon s remix is already rated one of his best to date and perfectly refletcs his flair for the sub-heavy downtempo funk and club-feel. expect the cool underground clubs to have the solomun remixes running for the entire summer season 2011.

as one of the founding talents of james ruskins continuing blueprint records empire or richard polson and nick duntons seminal surface records, we at thema dont really think we need to remind you who oliver ho is. since 1996 he has released a steady stream of high quality, stylistically diverse, and highly dependable records on blueprint, his own meta, light and dark imprints, and such leading labels as klang electronik, macro, and poker flat that bridge the gaps between techno, tech-house, and deep exploration and always keep djs like us reaching for them when we need that not-quite-ordinary thing that keeps people moving.
comes on transparent / smokey marbled red vinyl.

hiding behind their three character website is a belgian duo called goldffinch whose steep vision of dancefloor techno marries loveable little phrases of awkward computer conversation with the kind of kick drums that will rattle the windows of your neighbours house when your soundsystem is tweaked perfectly. goldffinch may well be a duo bent on keeping things simple but when the end result, which is built out of such minimal layers, is so arresting, there’s no need to change the formula. not one bit.

mad limited edition of 200 copies only in red vinyl ! original plus remixes by munk, moullinex, social disco club & severino (horse meats disco) ! 1st come, 1st served !

rare techno electro trax !!

mute & mako have already proved how good an outfit they are with releases on makos very own label utopia music & their excellent astral transmissions on ingredients, not to mention rorschach on the recipe book lp. well they are back again with another killer release. >essential forms< has all the hallmarks of mid 90s d&b with its long intro, tight drum workout and sublime arrangement. the flip is just as strong, taking you back to an artist called shogun on renegade recordings around 1996, this wicked roller is a joy to mix. keep an eye on this trio!
dj support: doc scott, dj lee, dramatic & dbaudio, bryan gee, ltj bukem

tunesmith lakaband is back with another pop confection on her imprint, this time pairing up with the artful producer behind raiders of the lost arp, mario pierro. with a unique appeal, neural affinity gathers raw electro sounds and declamatorily chanted lyrics about extrasensory perception. on the flip side, raiders of the lost arp takes the wheel to deliver an elegant remix and dub, some impeccable and slick dance floor gems. like thought transmission, charisma travels well over the ether. ice cool.

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

cool hand made freude am tanzen pillow

next up in studio barnhus split coloured 10 inch series (the previous installment was acid andy and axel boman on yellow vinyl) is handsome newcomer hnny and barnhus very own desperado kornel kovacs. on the a side, hnny takes a saccharine rnb cover of perhaps the greatest power ballad ever and turns it into a perfect little edit – as simple as it is inspired, this is an obvious end-of-the-night-turn-the-lights-up-in-the-club-anthem if we ever heard one. on the logo side, kornel kovacs brings the heat with down since 92 - a bass-driven, vocal-laced pop house song about hate, love and jealousy. break it down! red vinyl, no digital - limited to 300 copies worldwide. barnhus bang the party once again! freshness.

taken from the original soundtrack of 1980s movie >qua la mano<. pressed on red vinyl.

the 6th release on myle serges re(form) imprint and the 3rd made by the labelboss himself comes with a remix by jeroen search. pressed on red vinyl.

…awesome new single from louis garcia feat. sidney king, one more try is a fantastic summer smasher!! what a amazing house booomb with theme from “zora in red”!!!

good recordbag with a good price. look for different nice colors too.

verstellbar und passend für s4, vms4, dn mc-6000, mixtrack oder kleinere controller samt laptop * wasserabweisendes 1680d ballistic nylon * kugelgelagerte und leise laufende pu-inlinerrollen * herausnehmbares controller-sleeve * separates laptopfach bis 19“ * netzfächer für kleineres zubehör * großes frontfach inkl. herausnehmbarem accessory-panel für interface, kopfhörer etc. * kabel organizer * quick-access-pocket für reisedokumente * abnehmbarer schultergurt und gepolsterter tragegriff * haandgepäcktauglich (bei den meisten airlines) * external dimensions (h/w/d): 56 x 40 x 23 / internal: 50 x 35 x 11 (controller fach)

october and john osborn are proud to present the inaugural 12inch on their newly minted bristol and berlin based house & techno label: tanstaafl records. tanstaafl is an acronym for there aint no such thing as a free lunch. we kick things off with john osborns debut release, epoch 4 backed with a darker, reduced, dub-influenced version. john based in berlin worked with october in his bristol based studio to create and produce some wonderful, raw, dirty analogue house music. both tracks were meticulously produced by herr osborn and recorded and engineered by october. laurie appleblims joined the studio session and he dove straight into the juno 60 and played the melody that finnishes the track off. tough floor business for your feet and mind, tried and tested around the world. a great start for this promising label.

md2 with the fourth release... well crafted effective techno tracks with that tight md2 sounds that makes you want to crank up the system to the max! no-onsense techno release that comes in limited supplies on red coloured vinyl!

special collectors edition on limited red transparent, smokey marbled vinyl! two powerful tracks by dj hi-shock, backed up with 2 huge remixes by mike humphries and psi room.

>candy red / hungry horse< is dro careys debut release for hum + buzz. this exciting newcomer from sydney has already made quite an impression, he was named as one of the top ten producers to watch in 2011 by fact magazine and has already collaborated with the former roll deep member trim. dro careys extraordinary music assimilates everything from classic techno and house to rnb, rap, juke and grime, to produce a peculiar skewed aesthetic. on side a, >candy red< places hypnotic other worldly vocals with interlocking melodies, stuttering percussion and subtle bass drops. on the other side, >hungry horse< begins by deploying a haunted female vocal, before morphing into snatches of different fragmented samples and frantic kicks and snares, for an intense narcotic affair.

modernista make a very welcome return after dropping their now classic debut 12 on us last year the architect of that raw late 80s machine music homage, paul bennett is back in charge here one of pauls formative influences during his youth was the music made by the first wave of techno producers from detroit. this release attempts to bring back some of the drama and pure funk of that sound. electronic music for the head, heart and feet. immaculately programmed maydayesque drum machines, emotive & expansive pitch bent synths, thundering low frequencies and clanks galore. this is a supercharged rewiring of the detroit blueprint in three startlingly well executed flavours.

what do you call musicians like com truise? he seems easy enough to pin down—throw out some words like nostalgia, synth-wave, eighties, and electro-funk and you will scrape by—but to be truly insightful about his music is tough, because art that is so blatantly referencing certain things in a certain way while also making them weird and new and unique is confusing. how do you classify something that is so obviously both vintage and current but is too fun to call postmodern? awesome is an option. especially when it sounds like you are driving the knight rider car through thick clouds of nitrous oxide, like >fairlight<, the title track from truises new single, which previously appeared on an iso50 comp called dry waves and also has this jarring, falling-all-over-itself middle section that prevents you from trancing out too hard. >beta eyes<, the track that follows, is even more restless, with a drum pattern that is fidgety and clustered, kicks and snares fighting each other like two drum and bass heads arguing over an atari remote. >polyhurt<, a narcotic, almost ballad-like closer that inevitably leaves you thinking, >now, how the hell am i going to describe that to someone?< the vinyl exclusive cut >colorvision< could be truises most dancefloor friendly track yet.
limited to 500 units worldwide (200 in europe).

after being wowed by christian smiths superb remix of carl craigs >at les< the legendary underworld listed it as one of their tunes of 2010 thereby planting a seed in the veteran producers mind. a mutual appreciation and the aforementioned events have resulted in smiths biggest remix yet – the reworking of underworlds seminal >dark & long<. coming in two versions, both of which have won immense support from the band themselves, the christian smith remixes of >dark & long< take the track in to new territories respectfully and skilfully. the tronic treatment mix preserves the vibe of the original perfectly while adding a condensed but slow burning feeling of tension which explodes into the epic break we all know and love. the hypnotica dub version underpins karl hydes classic vocal refrain and the rich synths of the original with an ever-changing, guttural monster of a bassline that adds a whole load of understated aggression without ever taking over the wonderful melodies.

music from the film *black to comm*, recorded at the 2008 meltdown festival at the royal festival hall in london. pressing on red vinyl.

aniligital music presents tal m. kleins >deep dark place<. this is one deep trip with a giant didgeridoo tribal dub setting the pace for a house intro that melds into a heavy juno bassline and peaks with a piercing 303 acid lead. this track does not mess around. the dead rose music company goes deeper both figuratively and literally by adding vocal elements that echo through their swagging cosmic thumper remix. soho808 liven up the mood and tighten up the impact with their remix classic house piano treatments and guitar.

minimal wave is proud to present a full length lp by french mastermind philippe laurent. the lp is entitled hot-bip, a pseudonym laurent used throughout the 80s and 90s and also the title of his 1983 cassette on fraction studio. hot-bip features tracks recorded between 1979-1988, most of which have either remained unreleased or only previously appeared on scarce 80s experimental cassette compilations. laurents music can be described as spacey synthpop, containing much depth and range. it is edgy, political and pushes the limits, transforming his sound beyond one specific genre. hints of classical influences as well as electro influences can be heard. hot-bip showcases laurent’s best musical output from the 80s and includes some very avant-garde pieces from as early as 1979. a limited edition of 999 hand-numbered copies, this lp is pressed on 180 gram, translucent red vinyl and housed in a black and white matte printed heavyweight sleeve.